The manner in which we dwell is the manner in which we are. Where we live is not an objective, unbiased space; on the contrary, it has been constructed and designed in ways which, either consciously or unconsciously, obey specific biopolitical systems of gender and sexuality. What constructions of the self emerge within contested spaces of inhabitation, and what power relations are established between our bodies and our household objects? In the artist’s first solo show in the Netherlands, Laëtitia Badaut Haussmann transforms Ellen de Bruijne Projects into a space of domestic speculation, of feminist enquiry and emancipation, of cinematic tribute and architectural sublimation.
