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Anne-Lise Coste

Anne-Lise Coste

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Open a larger version of the following image in a popup: Anne-lise Coste, Me, Mi, Ma; Vou, Vi, Voi; Lo, Li, La; Pa, Po, Pou; Su, Sou Seu , 2021 Anne-Lise Coste Me, Mi, Ma; Vou, Vi, Voi; Lo, Li, La; Pa, Po, Pou; Su, Sou Seu
2021
Open a larger version of the following image in a popup: Anne-lise Coste, Me, Mi, Ma; Vou, Vi, Voi; Lo, Li, La; Pa, Po, Pou; Su, Sou Seu , 2021 Anne-Lise Coste Me, Mi, Ma; Vou, Vi, Voi; Lo, Li, La; Pa, Po, Pou; Su, Sou Seu
2021
Open a larger version of the following image in a popup: Anne-lise Coste, Me, Mi, Ma; Vou, Vi, Voi; Lo, Li, La; Pa, Po, Pou; Su, Sou Seu , 2021 Anne-Lise Coste Me, Mi, Ma; Vou, Vi, Voi; Lo, Li, La; Pa, Po, Pou; Su, Sou Seu
2021
Open a larger version of the following image in a popup: Anne-lise Coste, Me, Mi, Ma; Vou, Vi, Voi; Lo, Li, La; Pa, Po, Pou; Su, Sou Seu , 2021 Anne-Lise Coste Me, Mi, Ma; Vou, Vi, Voi; Lo, Li, La; Pa, Po, Pou; Su, Sou Seu
2021
Open a larger version of the following image in a popup: Anne-lise Coste, Me, Mi, Ma; Vou, Vi, Voi; Lo, Li, La; Pa, Po, Pou; Su, Sou Seu , 2021 Anne-Lise Coste Me, Mi, Ma; Vou, Vi, Voi; Lo, Li, La; Pa, Po, Pou; Su, Sou Seu
2021

Anne-lise Coste

Me, Mi, Ma; Vou, Vi, Voi; Lo, Li, La; Pa, Po, Pou; Su, Sou Seu , 2021
Airbrush on glass windows
170 x 55 x 5 cm each
Copyright The Artist
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Further images

  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. Anne-lise Coste, You can cry in New York too, 2009
  • (View a larger image of thumbnail 2 ) Anne-lise Coste, You can cry in New York too, 2009
  • (View a larger image of thumbnail 3 ) Anne-lise Coste, You can cry in New York too, 2009
  • (View a larger image of thumbnail 4 ) Anne-lise Coste, You can cry in New York too, 2009
  • (View a larger image of thumbnail 5 ) Anne-lise Coste, You can cry in New York too, 2009
Anne-Lise Coste is constantly engaging in dialogue with found objects. Working directly onto them with airbrush, she sets up an immediate resignification that does not seek to elevate the apparent...
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Anne-Lise Coste is constantly engaging in dialogue with found objects. Working directly onto them with airbrush, she sets up an immediate resignification that does not seek to elevate the apparent banality of the object, but rather to express semiotic ambiguity. Drawing from the surrealist and dada movements, Coste plays with the mismatch between the object and the painted word. A syllabic system is sprayed on the glass panels of the windows. Reminiscent of how spoken and written language is taught at schools, the concatenation of words generates a poem made up of sounds. A leitmotiv in her practice, the artist performs a lyrical deconstruction of the objects as an embodied principle against dogmatism and arbitrariness.

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